Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has managed to get clear that nobody else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one of the most talked about books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as being a trilogy. Did it really end the strategies by which you planned it from your beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay to get a film being based on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you are adapting a novel into a two-hour movie you simply can't take everything with you. The story has to become condensed to match the newest form. Then there is the question of how best to look at a magazine told in the first person and present tense and transform it in to a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and so are privy to all of her thoughts so you may need a strategy to dramatize her inner world and to create it feasible for other characters to exist outside of her company. Finally, you have the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A large amount of the situation is acceptable over a page that couldn't survive on a screen. But exactly how certain moments are depicted could eventually be inside the director's hands.

Q: Are you currently capable of consider future projects while working on The Hunger Games, or are you immersed within the world you're currently creating so fully which it is too hard to think about new ideas?

A: I have a number of seeds of ideas floating around inside my head but--given a great deal of of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges and that i can start to develop it.

Q: The Hunger Games is once a year televised event by which one boy then one girl from each from the twelve districts is forced to participate inside a fight-to-the-death on live TV. What do you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which means they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I've found very disturbing. There's also the opportunity for desensitizing the audience, in order that once they see real tragedy playing out on, say, the news, it won't have the impact it should.

Q: In case you were forced to compete inside Hunger Games, what do you believe your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to obtain hold of the rapier if there is one available. But reality is I'd probably get with relation to a four in Training.

Q: What do you hope readers will come away with after they read The Hunger Games trilogy?

A: Questions about how elements from the books might be relevant in their own lives. And, when they are disturbing, whatever they might do about them.

Q: What were some of one's favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but now it can be for world control. While it is a clever twist for the original plot, it means that there is less focus about the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in to a less vibrant Katniss by displaying despair both at those she feels responsible for killing and and also at her motives and choices. This is an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and also the victim of President Snow, who uses Peeta to make an attempt to control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement to a unsure go back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each one with the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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